Sunday, February 22, 2015

Gone Girl

"Gone Girl" by Gillian Flynn is an amazingly written story about a husband and wife, their relationship, their struggles with self-discovery both individually and as a couple, and a missing person case.  I’m afraid to mention much more about the plot because it’s a mystery and I don’t want to give anything away.

The writing, the butter, is what makes this story, the bread, captivating.  Even though the bread is moldy and leaves a bad, rotten taste in your mouth at times, the butter makes it worth continuing.  And yet you know if you continue eating you will be sick, continue reading and you won’t trust humanity. Flynn writes from both Nick’s point of view and Amy’s point of view, so that the reader feels that there is a complete picture, two sides of the same story.  I was skeptical at how this would work for a mystery book, but because of that skepticism, I think that it strengthened the mystery and my longing to understand each character and their parts in the events that transpired.

From Amy’s journal about her parents - “They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish-expanding and contracting instinctively, filling each other’s spaces liquidly.”

From Amy’s journal about her husband – “Nick responds to adoration.  I just wish it felt more equal. My brain is so busy with Nick thoughts, it’s a swarm inside my head Nicknicknicknicknick! And when I picture his mind, I hear my name as a shy crystal ping that occurs once, maybe twice, a day and quickly subsides.  I just wish he thought about me as much as I do him.”

The imagery that each of Amy’s journal entries create is brilliant.  The reader can picture the events the setting and the people exactly as Amy pictured them.  This can create an alliance between the reader and Amy until the next chapter when the author presents Nick’s thoughts.
From Nick’s thoughts – “When I think of my wife, I always think of her head. The shape of it, to begin with. The very first time I saw her, it was the back of the head I saw, and there was something lovely about it, the angles of it. Like a shiny, hard corn kernel or a riverbed fossil. She had what the Victorians would call a finely shaped head.

Also from Nick’s thoughts “Go's voice was warm and crinkly even as she gave this cold news: Our indomitable mother was dying. Our dad was nearly gone—his (nasty) mind, his (miserable) heart, both murky as he meandered toward the great gray beyond. But it looked like our mother would beat him there.”

The description presented in Nick’s thoughts much like the imagery in Amy’s journal provide facts, at least facts as seen by Nick, describing what the reader is lead to believe is the same story.  These facts appear slowly in Nick’s chapters of thoughts and experiences as the story unfolds a depiction of two very lost people.

While the book is disturbing at best, it is still a bread and butter book as both the story and the language are intriguing and captivating.   I recommend reading it over watching the movie.  While the movie is equally if not more disturbing because of the visual component, the imagery and the description are not as vivid and easily captured on screen.  Word of warning – the movie is not a date movie not matter what you might hear, but it shouldn’t be watched alone either. On that dire note – happy reading!